"There are fewer and fewer stores, but we have the movers and shakers - Nordstrom, Neiman, Saks, Macy's and Kate Spade." His reputation for quality production and artistic collaborations has set him apart, and he says it's the reason clients like DVF come to him. "The retail environment has really changed," said Pucci. This is a commercial enterprise, and even though the department store's influence has waned, there is still a large market for mannequins across the country. Surrounded by the range of mannequins and the re-created studio on the museum floor, it is easy to forget that Pucci and his team aren't artists in a vacuum. Photo: Antoine Bootz/Museum of Arts and Design. Pucci made them in white for DVF's exhibition - "more commercial"- but is displaying one in gold in the museum.ĭiane Von Furstenberg, 2013, Pucci Mannequins. She wanted it to be a sculpture, but at the same time it had to wear clothes." The result is a mannequin in a subtly assertive leaned back pose with striking facial features. "She kept talking about the Terra Cotta Warriors. "We took her cheekbones, we took her mouth and we abstracted it and made it modern," said Pucci, pointing out the resemblance to the designer. In 2013, Pucci partnered with Diane Von Furstenberg to design mannequins for the 40th anniversary of the wrap dress. "The mannequins made bigger statements about yoga and healthy living." "Christy was still a model, but she was really playing up exercise, non-smoking and responsibility," said Pucci. Pucci worked with Turlington to create a series of mannequins in yoga poses for the debut of her athleisure-precursor brand Nuala in the '90s. Pucci has also found fruitful partnerships with fashion models such as '60s icon Verushka and Christy Turlington - women who certainly understand the role of the body in fashion. Another standout is the fantastically bizarre "Swirley," which was made in collaboration with painter Kenny Scharf and features bright red lips, a single eye and curved, pointy head. One entitled "Birdland" is one of the most abstract and was designed to display handbags and accessories instead of clothing. ![]() Early Pucci collaborators and life-long friends Ruben and Isabel Toledo have two mannequin designs in the exhibition. Not all of the mannequins in the exhibit are trying to be realistic, however. IRO IS SEEKING A SPRING '22 PR + CUSTOMER CARE INTERN IN NEW YORK, NY (PAID INTERNSHIP) It has to be shaped like it's already wearing the pants." And if you try those same pants on a fiberglass mannequin that's exactly like somebody with no pants on, it won't move. If you put on a pair of tight pants, the tight pants are changing your body. ![]() "It's representing a person who is wearing clothes, but happens to not have clothes on it. When asked about the most challenging aspect of designing mannequins, Evert said creating exact likenesses is very tricky - he admitted it was on his mind ahead of his live sessions - but that anticipating the clothing the forms will wear is also a main concern. Master sculptor Michael Evert will sculpt live in the museum for two hours on Thursdays throughout the exhibition's duration, from live models such as Linda Fargo, Mary McFadden and Anna Sui. Thirty of them are on display in the exhibition, in addition to a replica of the Pucci sculpting studio. ![]() The Olympian Goddess, 1986, Andree Putman.
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